Featured Historian: Victoria Bates

Dr. Victoria Bates is Senior Lecturer in Modern History, with research interests in the modern social history of medicine and the medical humanities.

A picture of Dr. Victoria BatesHi Victoria, could you start by telling us about  your new research project?

I have just started a UKRI Future Leaders Fellowship called ‘Sensing Spaces of Healthcare: Rethinking the NHS Hospital’. The project rethinks healthcare environments through the body and the senses, focusing on how places have felt rather than how they have looked. The historical part of the project will consider how NHS hospital sensory environments (or ‘sensescapes’) and the perception thereof changed as a result of new design trends, architecture, materials, technologies, nature and human behaviours. This history is just one part of the research, though, which is a complex 4-7 year project with many components. As well as the historical and archival research, there is a strand of the project (led by the project RA – Rebecka Fleetwood-Smith) working on site in hospitals (Great Ormond Street Hospital in London and Southmead Hospital in Bristol). This part of the project will use participatory arts to understand and improve people’s sensory experience of hospital spaces.

How did you become interested in this area of research?

I actually get this question quite a lot because my PhD was on a quite different area of medical history (sexual forensics in Victorian Britain). The project has long roots, so I will try to keep the answer short but with apologies it is difficult to do so!

During my PhD I was co-lead on two projects together broadly called ‘Medicine, Health and the Arts in Post-War Britain’ that included a conference, exhibition, workshop series and edited collection. My interest in this area of research at first related to the roots of the ‘medical humanities’, as a named field of academic enquiry, and its relationship to the history of arts and health. I also became interested in the development of different professional areas (art therapy, hospital arts and the arts in medical education) and their use of similar language (the idea of ‘rehumanising’ medicine through the arts).

I was inspired to conduct further research: why was there a perceived need to ‘rehumanise’ medicine in the post-war period, and why was there a turn to the arts, as a tool to do so? In 2013 I received a small grant from the Wellcome Trust to conduct a small study of late twentieth-century multidisciplinary medical education in the UK. In 2014 I was awarded scoping funding from the Elizabeth Blackwell Institute to look at archives in the UK and USA relating to all three areas (art therapy; arts in medical education; art in hospitals). Of these topics, I found myself most drawn to the history of hospital arts; this subject opened up interesting questions about the relationship between arts, design, space and architecture.

I soon became immersed in spatial theory, new materialism, and sensory studies as well as in histories of art, architecture, and design. I found myself moving away from a human-centred approach to design and perception, and thinking more about space as dynamic and as co-produced between the different objects and people in it. Art is just one of these objects, so I moved my focus to the sensory as a better way to think about space and the ways in which it is made through interactions between people and environments. I was fortunate to receive University of Bristol Strategic Research Funding to develop this work (2017) and to spend a month as a visiting scholar at the Centre for Sensory Studies at Concordia University in Montreal (2019).

Alongside this research I engaged in a couple of projects working with artists, designers, smell technicians and others. One of the projects involved designing a sensory prototype called InTouch and the other was about the non-visual aspects of nature and wellbeing, for which we created an ‘immersive experience’. These projects also got me thinking a lot more about the impact of my work and collaboration with non-academic partners, and is why my new project has a large design and prototyping element. Overall, I am always trying to push myself out of my comfort zone!

What is the importance of this research today?

Design is a pressing issue in healthcare. Poor hospital design impacts staff, patients and visitors, and critiques of hospitals are increasingly widespread. The project’s findings will feed into a rethinking of current and future hospital design, including the development of design interventions for healthcare environments.

The historical research can help us to rethink the root causes of perceived sensory problems. For example, my work so far on the history of hospital ‘noise’ has shown that it has long been defined in social terms rather than in terms of volume. Perceptions of noise have changed over time in line with societal change, ranging from attitudes to race or gender to ideas about privacy. Understanding the societal aspects of such change can help us to think more creatively about solutions to noise as more than an engineering problem.

The part of the project working with GOSH Arts and Fresh Arts at Southmead will pinpoint sensory challenges for specific types of hospital user/worker or hospital spaces, which might range from sensory under-stimulation to sensory overload. In turn, these challenges will form the basis for sensory design solutions through a prototyping and development process in collaboration with artists, designers, charities and NHS Trusts. These outputs will be produced with and of value to all those who use hospitals, from patients to professionals. We are also working with Architects for Health to develop a hospital building note around sensory design. Overall, the project offers a novel approach to the history of healthcare spaces that helps us to rethink hospital histories and their relevance to current-day design.

What advice would you give to a student interested in this area of research?

Talk to me! I would love to work with more PhD students or postdoctoral researchers interested in this area of research. I would be particularly keen to see some comparative or international work in this area.

What’s the most interesting thing you’ve read in the last twelve months?

I took Sinéad Gleeson’s Constellations away for a weekend to read for leisure, but it turned out to be extremely relevant to my research. It has a section that captures her sensory experience of hospitals, and which addresses this subject explicitly in a way that I have never seen before. For example, she describes noticing the sound of air conditioning after weeks in hospital; the sound becomes extremely aggravating to her, but nobody else can hear it. I found it not only a really engaging book, but also a useful reminder that we need to think about the sensory environment of hospital as dynamic, and as different for every person in them (or even for the same person, on a different day).

If you had a time machine, where and when would you most want to go?

I have never come up with a good answer to this question – how could you possibly choose from all of time and place? My possible answers have ranged from an iconic music concert to solving some great historical mystery or crime or visiting an extinct species. I know that I should pick something related to my research, but I do not think it would be a historic hospital if I wanted to return with my health intact… 

What’s your must-do Bristol restaurant?

I love Korean food, so Sky Kong Kong is my classic Bristol ‘go to’ when people come to visit – it is small and serves really interesting food, with a personal touch, as well as being very good value.

What are you working on next?

This UKRI project is going to take up most of my time for the next few years, so first job is to organise a launch event for it. I’m also co-leading a couple of really interesting, interdisciplinary networks funded by the Wellcome Trust: one on the senses and health/care environments and one on the intersections between medical and environmental humanities. We have lots of workshops, writing retreats and conferences coming up for those over the next two years and I will be really excited to see what comes out of our collaborations. Watch this space on both!

Featured Historian: Grace Huxford

Dr Grace Huxford is Senior Lecturer in Modern History. She is a social historian of modern Britain, specializing in the Cold War period and with particular interest in the aftermath of the Second World War and the Korean War. She is an oral historian and currently conducting an oral history of British military communities in Germany (1945-2000). She was recently interviewed on BBC Radio 3 about the project as part of a special programme on post-war Germany, coinciding with the 30th anniversary of the fall of the Berlin Wall – you can listen to the interview here.

Grace Huxford

Hi Grace, can you start by telling us what you are working on at the moment? What’s the British Bases in Germany project about?

Between 1945 and 2019, Germany was home to many thousands of British service personnel and their families. Initially sent there as a post-war occupation force, the British military quickly became part of the frontline against a possible Soviet invasion. These bases form an important element of Britain’s post-1945 military history, but they were also unique and complex social communities. My project explores the experiences of those who lived and worked on the bases – not just service personnel, but their partners and families, as well as the wide range of support workers, professionals and volunteers who ended up there. My postdoctoral research assistant, Dr Joel Morley, and I interview people as part of this research – we’ve spoken to over 60 people so far with a range of experiences and memories. These interviews will form the foundation of our research and future publications.

How did you become interested in this area?

I’ve long had an interest in social history of the Cold War and my PhD and postdoctoral research examined the varying responses to the Korean War (1950-3) in Britain, which resulted in my book The Korean War in Britain: Citizenship, Selfhood and Forgetting (2018). The Cold War is such a long conflict, much of it about watching and waiting – no more so than in west Germany, where British and NATO forces trained for an invasion that never came. I was interested in how that situation affected people, from service personnel to their families and civilians on the bases.  I also came across many references to Germany in the material I looked at for my book on Korea: though no units were directly posted from Germany to Korea, I got the sense of how important Germany was for the British military. It was at the centre of a constellation of bases across world that had developed as part of imperial strategy and during the Second World War. Another aim of my research is to examine what living in Germany meant for people other than service personnel too. This is an important area of what is sometimes called Critical Military Studies – acknowledging that the military’s influence stretches far further than the lives of fighting troops alone.

What is the importance of the British bases project today?

Apart from a few remaining units and offices, British Forces in Germany closed its last bases in 2019. It’s therefore a really important moment to analyze their historical significance, as well as the impact Germany had on the British military and understandings of military life. One of the most fascinating aspects (and challenges) of using oral history as a method is that the present context shapes the interview too – so our project explores how people viewed British communities in Germany after the end of the Cold War and closing of the bases as well.

What advice would you give to a student interested in oral history?

Oral history has both practical and theoretical elements – you need to think about both when planning and analyzing interviews. There’s a great deal of helpful advice out there already on oral history: the Oral History Society (UK) has some great advice pages about getting started with oral history interviewing and important ethical and legal issues, like obtaining full consent and thinking about how you will store your eventual interviews. I also really like the Oral History Review’s blog, which has some great articles from oral historians reflected on all sorts of topics like recording equipment and personal dynamics, to suggestions of reading.

I’d also encourage students to think about the time available to them (and to their narrators) and to remember that quantity does not necessarily mean quality. Taking the time to interview one person, to really listen to what they have to say and to analyze their testimony with care can be just as rewarding (both personally and intellectually) as doing a huge number of interviews. Alistair Thomson, for instance, has reflected extensively on his interviews with one First World War veteran, Fred Farrall – to great effect.

What’s the most interesting thing you’ve read in the last twelve months?

On the recommendation of a colleague, I read Elif Batuman’s 2017 novel The Idiot. It’s a semi-autobiographical story of a woman’s first year at university – some very funny and moving parts, but also some interesting reflections on what language means and its limitations. Plus, I fully empathized with the line: ‘what was Cinderella, if not an allegory for the fundamental unhappiness of shoe shopping?’ I hate shoe shopping.

What’s the best advice you ever got about history?

It will still be there in the morning.

 Which historical figures would you invite to a fantasy dinner party?

Tough question. I’d probably invite some of the people I came across in my book on the Korean War, particularly some of the British anti-war activists. The Chair of the Stevenage New Town Development Corporation, Dr Monica Felton, was sacked for visiting North Korea during the war, but she always claimed she ‘did it for Stevenage’. I suppose I’d like to ask more about that. I’d also invite some of her critics too though, for balance, including someone called Christine Knowles who worked with the families of British prisoners of war. It would certainly be an interesting evening!

What’s your must-do Bristol experience/activity?

I love the walk along the Avon Gorge to Pill. It’s about 7 miles from the university, across the Suspension Bridge and takes just over two hours. Pack your sandwiches and enjoy the views. Then pop into a pub at the end and get the X4 bus home. And if you’re feeling adventurous you can do the full 23 miles of the Avon path! http://www.riveravontrail.org.uk/

Cycle path - Pill to Bristol © Linda Bailey cc-by-sa/2.0 ...

What are you working on next?

I’m going to be writing up my findings from the British Bases in Germany project – a few articles and a book. I’m also writing/thinking more about the history of military childhood. I’d also like to research more about where I live in Bristol, so need to plan a trip down to Bristol Archives!