PhDone: Dr Callum Smith

In the latest in our #PhDone series, we caught up with Dr. Callum Smith.

Callum was an AHRC funded SWW DTP PhD student at the University of Bristol, originally from Wales. He has been studying visual political culture for the past seven years and  recently completed his doctoral studies at Bristol. He is a first generation political and social historian of eighteenth and nineteenth century Britain. His interests focus on visual political culture and its relationship to lower order political participation, radicalism and sociability. Though he has a firm grounding in the practice of history, given the often-visual nature of his research interests he is a proponent of interdisciplinary approaches and methodologies, drawing often from the fields of Art History, Semiotics, and English Literature. 

Headshot of Callum Smith

Hi, Callum! First of all, congratulations on your successful viva! Can you tell us a bit about what your doctoral research was about?

Thank you! My thesis: ‘Radical socialites or Sociable Radicals? The Foxite Whigs in Caricature, 1780 – 1810’ charts the Foxites’ previously understudied political career through the lens of visual culture and is organized thematically based on the distinct strains of Foxite radicalism spanning from Fox’s first forays into office in the 1780s; through the radicalism of the French Revolution, Revolutionary and Napoleonic Wars; up until Fox’s death and the demise of his faction by the early nineteenth century. Sociability, and its tactical use by Fox’s faction in both ‘insular’ and ‘porous’ modes was also a key focus of my research, and it remains a key feature of modern British politics. Insular ‘Downing Street’ sociability came under the spotlight during the Covid-19 pandemic and visual political satire remined a key feature of political debate.

Let’s talk about the viva itself. What would you advise someone who is preparing for their own viva?

I think preparation is key – when it comes to your thesis read, read, and read it again! Preparing for the worst-case questions and summarizing your main argument in a few sentences was also very useful.

It is also worth remembering that nobody knows your thesis as well as you do! Expect corrections and take on board the advice of your examiners – it can also not hurt to research your examiners and their research interests beforehand.

Thomas Rowlandson, The Rival Candidates, Pub. William Humphrey (8 April, 1784) The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959, Accession Number: 59.533.54. Sheet: 9 3/16 × 13 11/16 in. (23.4 × 34.7 cm) (CC0 Public Domain Designation)

What’s next for you? Where can we find your research and/or writing now?

I have a busy year ahead! I am currently teaching part-time at the Universities of Bristol and Bath. I am also working on turning my thesis into a book.

I recently published an article on the 18th c. publican and Foxite campaigner Sam House in Parliamentary History. Beyond House and lower order political contribution, I have also submitted a chapter to an upcoming collection on political drinking in northern Europe (edited by Rémy Duthille and Martyn Powell) on the practice, rituals, and radical connotations of Foxite drinking and sociability.

The Foxites’ relationship with Irish radicalism and radicals, namely the United Irishman, Arthur O’Connor, and his depictions in visual culture, also based on my thesis research will form the basis for a future co-authored article with Professor Martyn Powell.

In 2024, European Comic Art will also be publishing my article on the political works of Thomas Rowlandson, whilst my article on political sleaze and the practices of bribery and ‘treating’ will form part of a special journal edition associated with the AHRC funded: ‘Eighteenth Century Political Participation and Electoral Culture’ project.

I am also very much looking forward to presenting a paper in March 2023 at the LAPASEC conference: ‘Conviviality and Sociability in the Long Eighteenth Century: Restoration to Romanticism’, in Essen, Germany.

Thanks for joining us, Callum!

Featured Historian: Brendan Smith

In the latest in our regular ‘Featured Historian’ series, we caught up with Brendan Smith.

Brendan is Professor of Medieval History. His published works concern medieval Ireland and in particular the consequences there of English colonisation. His teaching ranges from the impact of the Black Death on late medieval England to the reception of the Norman Conquest in nineteenth-century historical discourse.

Hi Brendan, thanks for doing us. What’s the title of your next book? What’s it about?
A likely title for my next book is The Migrants’ Tale: Moving Around Medieval Britain and Ireland.

It’s a study of the scale and character of population movement within and beyond the British Isles from the fifth to the fifteenth century. Migration is recognised as a historical constant but its importance as an agent for change, particularly in the Middle Ages can be overlooked. I hope to move it to the centre of our thinking about historical developments in Britain and Ireland in the Middle Ages, and the legacy of this for later periods.

How did you become interested in medieval migration?
Brexit, and feeling the need to acquire ‘settled status’ to reside here undisturbed brought home to me in an intense manner my position as a migrant in the UK after almost thirty years living in Bristol.

That got me thinking …

What is the importance of studying historical migration today?
Human migration is as old as the species itself and as natural to it as eating or breathing. In itself it is neither ‘good’ nor ‘bad’, but it has provoked intense emotional responses throughout recorded history. Present day concerns about migration are almost entirely devoid of historical perspective, which leads to impoverished analysis and ill-informed policies.

Historians can do something about that.

The legacy of migration. Brendan Smith meets Joe Biden in September 2018. The future president agreed to launch the four-volume Cambridge History of Ireland at the residence of the Irish Ambassador in Washington DC. (Professor Smith edited the first of these volumes.) In his address the former Vice President, who had yet to declare his intention to run for the presidency, emphasised his Irish ancestry and his belief that migration continued to have an important role in securing the prosperity of the United States. Copyright 2018 by Marty Katz

What advice would you give to a student interested in historical migration?
O pioneers! Enjoy the sensation of unearthing and following trails that been waiting to be rediscovered for many centuries. If you think that the human experience lies at the heart of history, then this is the topic for you.

What’s the best advice you ever got about history?
My PhD supervisor, James Lydon, quoting an earlier scholar, Eoin MacNeill, used to say: ‘Neither apathy, nor antipathy, will bring out the truth in history.’ I’ve taken that to mean that if you’re emotionally detached or merely partisan, then you’re not doing this right.

What’s the most interesting thing you’ve read in the last twelve months?
Novels by W.G. Sebald – Austerlitz, The Rings of Saturn, The Emigrants.

Powerful evocations of the migration experience that take a hammer to the boundaries between history and fiction.

If you had a time machine, where and when would you most want to go?
I would use my time machine to take me to the future – I’ve had enough looking back!

I wonder how much a pint of Thatchers will set me back in The Mardyke when I drop in on a Friday evening in 2122. Surely it will have broken the £2.50 barrier by then! Will Johnny Cash still be blaring from the juke box?

What’s your must-do Bristol experience?
A bright summer evening. Sitting in the gallery at St George’s looking at the sun stream through the windows and listening to the pianist Paul Lewis playing Haydn, Beethoven and Brahms.

What are you working on next?

I’ve been trying unsuccessfully for years to get funding to conduct a detailed study of medieval Irish financial records. I’m not finished yet!

Thanks for joining us, Brendan!

Featured Historian: Beth Rebisz

In the latest in our regular feature, we caught up with Beth Rebisz to hear about her a recent exhibition she worked on in Nairobi. Beth is a Lecturer in the History of Modern Africa. Her research explores Kenyan women’s experiences during the Mau Mau conflict, 1952-1960. In doing so, her research focuses on Britain’s forced resettlement of Kenyans during this period and considers the relationship between colonial counter-insurgency warfare and international humanitarianism in the late-colonial era.

Picture shows Beth Rebisz smiling, with a striped pole in the background

Hi Beth, thanks for joining us to talk about the exhibition you’ve recently been working on. Can you tell us what ‘Barbed Wire Village’ is about?

During Britain’s campaign against Mau Mau insurgent fighters in Kenya, 1.2 million civilians, mainly women and children, were forcibly resettled into spaces the colonial state called ‘villages’. Many colonial administrators saw Kenyan women as key actors in sustaining Mau Mau efforts, yet studies exploring this conflict often neglect this fact.

Over the course of three months in the Spring of 2019, I conducted an oral history project, interviewing women from the central region of Kenya to better understand how they experienced Britain’s ruthless campaign and I was interested to know more about this villagisation scheme. Through my findings, I argue that Britain deliberately sought to occlude the violent nature of these spaces by calling them ‘villages’ rather than concentration camps. Women and children were essentially incarcerated in camps heavily fortified and under constant surveillance. Violence, torture, and starvation was rife.

While colonial records contain some images of these camps, they are very limited. So, I worked with digital experts at African Digital Heritage, a Kenyan organisation, to construct a 3-D digital reconstruction of a camp based on descriptions shared with me by my interview participants.

Bringing all this research together, myself and colleagues at the Museum of British Colonialism and African Digital Heritage launched an exhibition last month in Nairobi called ‘Barbed Wire Village’. You can find it here!

How did you become interested in this?

I’ve been interested in the history of this conflict since my undergraduate degree.

Around the same time that I was choosing my dissertation topic, Mau Mau war veterans were taking the British Foreign and Commonwealth Office to London’s High Court to sue them for the historic atrocities Britain committed in Kenya during the 1950s. At the time, I knew nothing about this history, like many others in the UK, due to Britain’s deliberate attempts to suppress this from mainstream and public history discussions.

I attended a couple of the witness hearings, sitting in the public gallery, and decided to pursue further research into the topic. While my BA and MA research was based on the colonial records housed in the UK, I always knew I wanted to consider social histories of this conflict and apply more ethnographic approaches to contribute to ongoing efforts in Africa to recentre African voices and experiences of colonialism.

African women in particular are actively written out of colonial archives, therefore conducting oral history interviews was an imperative route for the inclusion of these most marginalized narratives.

Image shows computer reconstruction of a 'barbed wire village' from the exhibition

What is the importance of this story today?

Britain actively sought to suppress this history and construct its own narrative of these events in Kenya.

They secretly removed any archival evidence relating to the violence it committed to ensure this. Historians therefore have a duty to create better and more nuanced representations of this history and make it more accessible to the people it directly impacted. The sheer inequality of Kenyans having to travel all the way to London to consult records relating to their nation’s independence continues the perpetuation of these colonial power dynamics.

So being able to exhibit this research in Kenya as well as online, means we can work toward more accessible and equitable initiatives which centre human experience.

What advice would you give to a student interested in working in a similar area?

I would encourage students to continue innovating our discipline and finding creative ways to display and explore history. If they are keen to recentre marginalized voices in their research, it’s important to listen and learn from scholars and practitioners, particularly in the Global South.

What’s the best advice you ever got about history?

Stay curious and when looking at a primary source, ask why… until you can’t possibly ask it any more!

What’s the most interesting thing you’ve read in the last twelve months?

I’m not going to pretend I’ve had the time to read all chapters of it yet, but Olajumoke Yacob-Haliso’s and Toyin Falola’s Palgrave Handbook of African Women’s Studies.

It’s the first of its kind and is truly excellent. It is such an extensive collection of research which debunks misleading myths about African women and their positions in the societies they operate within.

If you had a time machine, where and when would you most want to go?

You’re probably looking for a serious answer relating to my research, but I guess I’d go back to the day when I died my hair bright red.

And I’d say to myself, ‘please don’t do this. Just, please don’t.’

Falafel King or Eat a Pitta?

Falafel King is the hill I am willing to die on.
I hope my Tuesday Rethinking History seminar group are thinking long and hard about how they betrayed me when they so ruthlessly shut me down and declared their preference for Eat a Pitta.

What are you working on next?

Lots of things!

I’m working away on my book currently so that will keep me fairly busy. In addition to that, I have a few new projects on the horizon which will extend my oral history project in Kenya and another which is looking more closely at the women who shaped Red Cross activity in Africa in the late-colonial and so-called post-colonial era.

Sounds amazing! Thanks for joining us, Beth!

Featured Historian: Hilary Carey

In the latest in our regular series, we caught up with Prof. Hilary Carey to talk about her interests in the histories of religion and empire.

Hilary Carey is Professor of Imperial and Religious History and Research Director in the Faculty of Arts. She trained as a medievalist originally, but these days works mostly on colonial religious history. Her most recent book, Empire of Hell (CUP, 2019) was a religious history of the campaign to end convict transportation from Britain and Ireland to penal colonies in Australia, Bermuda and Gibraltar.

Hi Hilary, thanks for joining us! What’s the title of your new research project?

I am really excited that Sumita Mukherjee and I have been funded by the AHRC for the next three years. Our project is called ‘Mariners: religion, race and empire in British ports, 1801-1914’.

Images shows Hilary Carey outside the Mersey Maritime Museum in Liverpool

What’s ‘Mariners’ about?

There are two strands, one – led by Sumita – looks at lascars or South Asian seafarers, and the other looks at missions to British sailors. We are very happy to be partnering with the Anglican Mission to Seafarers, which is one of the world’s largest marine charities, and the Hull History Centre, which has recently completed cataloguing their (huge) archive.

Sumita and I are putting together a research team who will be probing the attempts by different religious charities to support, convert and Christianise mariners in nineteenth century ports.

How did you become interested in this area?

When I was researching convict transportation, I was regularly diverted by the light it shed on the merchant marine and the marine industries which made long-distance sea faring possible. A number of those who ministered to convicts were also interested in converting sailors. This made sense because convicts and sailors often shared similar backgrounds and were generally regarded as devoid of all religious and moral feeling. As I argued in my book, this was far from the case, though it was complicated.

With a former student at the University of Newcastle, I was initially interested in missions to seamen in the coal port city of Newcastle, New South Wales. When I moved to Bristol, I discovered that ports throughout the UK are littered with sailors’ homes, missions and institutions for turning sailor’s orphans into good Christians and able seamen.

Diving deeper it was also evident that the ethnic makeup of the marine workforce changed rapidly so that, by the end of the nineteenth century, lascars made up about one third of the merchant marine visiting British ports. Many found it difficult or impossible to find secure accommodation while in port or between jobs, which was a severe problem because, besides ever present racial discrimination, they also suffered extreme insecurity of employment.

When I discovered that Sumita was one of our leading authorities on migration and mobilities of South Asians to the UK, I thought we had to try and develop a project together on the merchant marine.

And what is the importance of mission to mariners today?

Merchant mariners continue to suffer from the same sort of problems they have always faced – dangerous working conditions, exploitative employment relations, piracy, shipwreck and loneliness. This is compounded in many cases by toxic hierarchies of race and religion, in which officers and ship owners come overwhelmingly from a small minority, and sailors and other port workers from the global majority. Everything was made worse by the pandemic, with dramatic stories of crews stranded by their owners and unable to leave their vessels or get paid.

Marine missions and seamen’s homes for lascars were some of the most important vehicles for mitigating, but possibly also for entrenching inequality in this most unequal of workforces.

Our project is important for the light it will shed on the mixed religious and racial workforce of the merchant marine. We will look closely at three ports – Hull, Bristol and Liverpool – to show how missions and marine charities were woven into the port landscape and their people.

Many of the buildings associated with marine missions have been demolished or given new purposes. We hope to recover some of the memories around these places which we plan to do through a conference and a travelling exhibition. We are also commissioning artistic impressions and conducting interviews with marine chaplains and the clients of their missions to get a sense of the lived experience of those who made a living from the sea in days of sail and steam.

What advice would you give to a student interested in religious history?

My advice would be don’t be put off.

Religion is an unfashionable subject for many historians, particularly since these days fewer have had a religious education. This means that the past is even more of a foreign country than it was for earlier generations, who were educated in religious schools, or went to Sunday School and were religiously literate. But this means you have plenty of opportunities to make a difference, and the archives are wide open.

I would also suggest that they join the Ecclesiastical History Society, which has some terrific support for graduate students and runs excellent conferences and has an accessible journal.

What’s the best advice you ever got about history?

In a word – persist.

My tutor in Oxford was the late Maurice Keen, a wonderful historian of late medieval chivalry. When I was a young academic, I was upset by a review of my first book, which I thought very unfair, and I wrote to him from Australia asking what I should do. He gave me the perfect answer, sending me a scorching review of one of his own early books, which had been merciless in pointing out various minor errors. (Readers, reviews used to be so much more vitriolic than they are these days.)

He said that you should always check your copy and, if you tend to overlook your own slips (and we all tend to do), then pay someone to check the manuscript. But he also said to persist. You learn from mistakes and, if you keep on writing, you do – eventually – get better.

What’s the most interesting thing you’ve read in the last twelve months?

I think much the most interesting things I have come across lately have been in the archives.

I have been reading my way through all the condemned sermons delivered in Newgate Chapel before the abolition of public execution. That is pretty interesting – if not particularly cheerful. I suspect no one else has read them since they were printed along with other gruesome details of the execution of these unfortunate people in the popular press.

For the project on missions to mariners, I was gripped by the records in the Mersey Maritime Museum of the Liverpool Shipwreck and Humane Society. This was not strictly a mission to seamen, but had a benevolent intent. The minute book records hundreds of instances of ordinary bravery, by people of all classes, who rescued people from drowning, saved those caught in fires at sea, or dived into the Mersey to save children who had fallen off the docks. There are page after page recounting acts of individual heroism, which the Society rewarded with a few pounds.

I am not sure how this will fit into the project, but I felt privileged just to read these fragments of working lives on the Liverpool docks. I should also mention that the Society noted that far more ‘rescues’ happened in summer, and in calm weather, and that boys from the Akbar Training Ship seem to have made a habit of rescuing each other and claiming the Society’s reward.

Which historical figures would you invite to a fantasy dinner party?

For my fantasy dinner party, I think I would like to invite the Quaker activist Mrs Elizabeth Fry and some of her companions from the women’s prison visiting committees she set up in Newgate and elsewhere. I would like her to tell me about conditions on the convict women’s transports that she personally visited, having been swung up in a bosun’s chair, to ensure they were well treated. I am prepared to be soundly bossed and cajoled, because she was a powerful woman. But I would like to experience the full force of her moral indignation in person. And I would like the other guests to be convict women whose lives were torn apart by transportation from one end of the world to the other. I would like to hear from them how they endured it.

What’s your must-do Bristol activity?

I took up bell ringing just before the pandemic struck and I am still just getting the hang of it.

It is a mad British thing to do and Bristol is one of the best places in the world for ringers with hundreds of towers in more or less working order both in the city and the surrounding towns and villages of Gloucestershire and Somerset.

My most memorable experience was ringing double muffled – with the clapper in little leather jackets- to commemorate the death of the queen. As an Australian, I confess that I don’t really understand monarchy, but it was truly moving to be part of this once in a lifetime event, which took place in every tower across the country.

(And if you want to get into ringing – you can contact the University of Bristol Society of Change Ringers.)

What are you working on next?

Besides Mariners, I am writing a short book on the condemned sermon at Newgate. I gave a talk about this to the History Showcase at the start of term. I got interested as a result of my work on convicts and prisoners and wondering about the fate of those who did not have the good fortune to be transported to the penal colonies, but were executed for their crimes.

I also have a long running project on missionary linguistics, including an edition of the first translation of the bible into any Australian Aboriginal language. With a colleague in Germany I am interested in the attempt, led by the British and Foreign Bible Society, to translate the Bible into all the languages of the world.

So there is plenty to keep me going.

That sounds wonderful! Thanks again for joining us!

Becoming a Public Historian: Cissy Walmsley

In this series, Dr Jessica Moody, unit co-ordinator of the third year Practice-Based Dissertation option, interviews students about their projects and experiences of this unit. The Practice-Based Dissertation was first introduced at Bristol in 2020-21 and enables students to produce a practical, public-facing ‘public history’ output as well as a 5000 word Critical Reflective Report.  

In this interview, Jessica talks to Cissy Walmsley about her project.  

JM: Let’s start from the beginning, what made you choose the Practice-Based Dissertation over the standard Dissertation? 

CW: I want to work in the field of film and television, with a historical focus, post-graduation, so I was immediately intrigued by the possibility of creating a piece of film for my dissertation. Having a chance to gain insight into the industry was such a fantastic opportunity, and not one I thought I would be presented with within my BA, so I was really excited about it. I was a little nervous about the choice, but I had loved the Public History unit we completed in second year, so I knew it was something I was passionate about. As someone who is most comfortable thinking creatively, I realised I was much more suited to the practice based than the standard 10,000 word dissertation. 

Picture shows Cissy smiling at the camera

JM: Could you tell us about your public history project?  

CW: I created a 30-minute documentary called ‘Cancer Culture’, which considered the cultural significance of cancer in the United Kingdom from a historical perspective, with a particular focus on gender and accessibility of treatment.  

JM: Why did you want to undertake this project?  

CW: My father died from cancer when I was 16, so there was a personal desire to understand the disease better. During my father’s illness, I had become aware of the fear surrounding cancer, and the many different ways people approach and talk about the disease, describing a patients treatment as a battle, for example. I wanted to understand the roots of this fear and this war imagery. My father had received treatment through the NHS, and while his individual doctors and nurses were fantastic, I wanted to directly address the underfunded and overworked side of the NHS, and how this impacted patients.  

Image shows a picture of planet earth with cancerous cells in orbit and a title reading: 'Cancer Culture'

JM: What did you enjoy most about the Practice-Based Dissertation? 

CW: I loved the opportunity to be creative. Spending days in my room filming different scenes and editing sections together, it gave me real insight into the media industry, as did working with an artist on the score. I saw the potential for collaboration between creatives. Most of all though, the chance to connect with other women who had lost loved ones to cancer, and who had undergone treatment themselves, is something I will always be grateful for. As I say in the introduction to the documentary, our conversations created something positive from the pain caused by cancer.  

JM: What did you find challenging? 

CW: I did find these interviews challenging. Asking strangers to share such a traumatic and personal part of their lives with me was a big ask. I made the decision to tell them about my own loss, which meant that these interviews became conversations about shared experiences, rather than more formulaic questions and answers.  

JM: Did you come across any problems that you needed to address or solve? 

CW: For certain aspects of the history, primary sources were simply not available. Particularly for the very early history of cancer, which dated back as far as 2500BC. This was initially a problem, as I had nothing to show whilst I was speaking during this section. In the end, I decided to include hand sketched animations, carried out by myself, depicting these different subjects. 

JM: What do you feel you’ve learnt from this process?  

CW: It may seem a little cliché but I have definitely learned to think outside of the box, though I only named one there were countless small problems and hurdles to overcome throughout this process. I don’t think I could have kept going had I not been so passionate about the subject. I also learnt that including your personal relationship to the history in the project needn’t distract from the content, and can in fact strengthen it.  

JM: What do you think public history needs more of? Do you have any reflections or advice from your project for public historians? 

CW: I think public historians have the opportunity to show the importance of the historical discipline, and to show how interesting it is. We can take a subject which one might not immediately think of as having a historical perspective and demonstrate how this can actually say a lot about our relationship with it. I would advise other public historians not to shy away from using their work to address issues in the present day. Again, this can be a way to illustrate the relevance of the historical profession. For example, though ‘Cancer Culture’ was primarily about history, I used this history to question our fear surrounding the disease, and to challenge viewers to help dismantle the stigma surrounding the ‘C-word’. I also directly called out our government for its lack of support for the NHS, by comparing the current situation to historical cancer treatment.  

JM: What advice do you have for students just starting the Practice-Based Dissertation? 

CW: Don’t give up! There were points where I couldn’t imagine finishing the project, but it has been one of the most rewarding aspects of my university career. Though it might seem like a bigger workload than a standard dissertation, I actually found it to be a lot less stressful in the long run, as the bulk of the work took place earlier in the year, before other coursework was due in. Most importantly, if you are excited by the idea of the practice based, go for it! 

JM: How can people find out more about your project? 

CW: You can find the full documentary on YouTube by following this link:  

There is also an Instagram page:  

And feel free to get in contact if you have any questions! 

Becoming a Public Historian: Isabel King

In this series, Dr Jessica Moody, unit co-ordinator of the third year Practice-Based Dissertation option, interviews students about their projects and experiences of this unit. The Practice-Based Dissertation was first introduced at Bristol in 2020-21 and enables students to produce a practical, public-facing ‘public history’ output as well as a 5000 word Critical Reflective Report.

In this interview, Jessica talks to Isabel King about her project.

JM: Let’s start from the beginning, what made you choose the Practice-Based Dissertation over the standard Dissertation?

IK: After completing the compulsory unit ‘History in Public’ and enjoying it, I realised that I want to work in public history once I leave university. So, when the opportunity to actually create my own piece of public-facing work came up, I was keen to take it, as it will (hopefully!) help me in my future career.

Image shows Isabel standing leaning against a wall, smiling

JM: Could you tell us about your public history project?

IK: I created a podcast mini-series discussing the representation of the Holocaust in popular culture. I did this through interviewing three historians about their thoughts on using historical fiction as education more generally, and then critically analysed three interpretations – The Boy in the Striped Pyjamas, The Book Thief, and Holocaust – to show what was ‘right’ and ‘wrong’ about each.

JM: Why did you want to undertake this project?

IK: I think historical fiction is a major part of any historical study, as well as being a popular form of entertainment. Often, such fiction gets taken at face value, and I wanted to highlight that this assumption is dangerous due to the misconceptions that fiction can generate about real historical events. However, I also wanted to show that this doesn’t mean that historical fiction isn’t helpful, it just needs to be critically analysed by the consumer! I made the podcast to engage the public in these discussions so they can continue to consumer historical fiction, but with more understanding and a critical eye.

Image shows the railway line into Auschwitz, with the title 'Misinterpretation: Historical Pop Culture Representations of the Holocaust' and icons showing a television, book, and film.

JM: What did you enjoy most about the Practice-Based Dissertation?

IK: Having the final product. It felt like such an achievement when I released my podcast series, because an idea that I had simply voiced in a meeting back in September was fully realised by April and could be listened to by anybody!

JM: What did you find challenging?

IK: I honestly found the whole process challenging, because it involved so much independent work, but the most challenging thing was recording and editing the podcast, because I had no prior experience with this. However, it got easier as time went on, and I now have some new skills because of it!

JM: Did you come across any problems that you needed to address or solve?

IK: My main two problems were finding time to interview the historians, due to availability clashes, and generating enough interest in the podcast when I released it to gain substantial feedback for my critical reflective report.

JM: What do you feel you’ve learnt from this process?

IK: I’ve learnt that if you put your mind to it, something to take pride in can be created. I learnt so many new skills and overcame challenges to create a practice-based dissertation that I am happy to share.

JM: What do you think public history needs more of? Do you have any reflections or advice from your project for public historians?

IK: Promotion! Though it is getting more popular, I think public history still needs more people to engage with it – to do this, I believe public historians need to collaborate with both academic historians and the wider public more to promote their work.

JM: What advice do you have for students just starting the Practice-Based Dissertation?

IK: Plan ahead as much as you can. The dissertation is a big commitment and it can sometimes feel like you’re not achieving enough in the time you have, but if you keep on top of things and plan for all eventualities, it means you can deal with any issues as they arise, and progress gradually, rather than having a panicked rush just before the deadline.

JM: How can people find out more about your project?

IK: The (Mis)Interpretations podcast can be found here.

Becoming a Public Historian: Kim Singh-Sall

In this series, Dr Jessica Moody, unit co-ordinator of the third year Practice-Based Dissertation option, interviews students about their projects and experiences of this unit. The Practice-Based Dissertation was first introduced at Bristol in 2020-21 and enables students to produce a practical, public-facing ‘public history’ output as well as a 5000 word Critical Reflective Report.

In this interview, Jessica talks to Kim Singh-Sall about her project.

JM: Let’s start from the beginning, what made you choose the Practice-Based Dissertation over the standard Dissertation?

KS: When we did the History in Public project briefs last year, I found that I really enjoyed doing public history and wanted to take up the opportunity of creating a project instead of coming up with just a brief. Creative ways of telling history are not only fun, but also gives you the opportunity to approach history from a much more personal angle, which I wanted to explore in my dissertation. We do so many essays, so I thought taking the practice-based dissertation would make me feel more inspired about my dissertation!

Image shows Kim smiling at the camera, wearing a hat

JM: Could you tell us about your public history project?

KS: I created a short podcast series about the life and legacy of Sophia Duleep Singh. She was the youngest daughter of the last Maharaja of the Sikh Empire, but was born and brought up in England and was Queen Victoria’s goddaughter. She was an English socialite and became a Suffragette. I wanted to tell her story, as she is a largely unknown figure in both British and Suffragette history, but also because she was a British-Punjabi woman, like me. My approach was therefore very personal, as I framed the podcast around identity, specifically relating to nationality and ethnicity. I drew on Sophia’s and my own experiences to help tell the wider story of what it means to be part of two worlds and balance two identities. I supported my podcast with an Instagram account where I posted episode recaps, recommendations for further readings, and photographs.

JM: Why did you want to undertake this project?

KS: This project felt very personal to me. I came across Sophia was I was about 15 or 16 and it was the first time I really saw myself in history, so it feels full circle to do my dissertation on her. I also want more people to know about her, especially British-Indians, because it is so important that people get to see themselves in history.

Image shows a portrait of Sophia Duleep Singh, with her name ‘Sophia’ and the subtitle ‘A History of Belonging’

JM: What did you enjoy most about the Practice-Based Dissertation?

KS: I enjoyed how creative I could be: from writing the scripts, to designing the Instagram posts, to finding the musical interludes in the podcast. It really allowed me to tap into different skill-sets and create something I’ve never done before. I also really enjoyed that it was public facing, because my drive behind the dissertation was wanting more people to know about Sophia, so it felt really great to have people listen and learn about her, possibly feeling some of the things I felt when I first came across her.

JM: What did you find challenging?

KS: I found writing the scripts to be a challenge, because I had to ensure I was being informative, while personal, writing in a way that would lend itself to people listening, rather than reading. I also found recording my audio quite challenging because I definitely over-thought my ‘podcast voice’ and had never edited audio before so it was a lot of trial and error. I’m not very good at navigating technology, so that was a big challenge!

JM: Did you come across any problems that you needed to address or solve?

KS: My main problem was something I discovered once I’d created the output when I was collecting feedback as I found that no one over the age of 60 had listened. That could mean both a technology and language barrier. I was targeting British-Indians, and definitely relied on my family and family connections to get listeners, but most of the first-generation British-Punjabis don’t speak native English and may have found it difficult to listen to the series.

JM: What do you feel you’ve learnt from this process?

KS: Beyond the technical aspects of writing, recording, and editing a podcast, I’ve learned how to make telling history accessible and engaging to an audience who might otherwise not engage with history. The process has spurred me to want to do similar projects in the future as I’ve seen how creative and gratifying it can be to put something out into the world.

JM: What do you think public history needs more of? Do you have any reflections or advice from your project for public historians?

KS: I would say that public history needs more personality and emotions. My project was very personal, and I think it made for a stronger historical communication and engagement with my audience. Not only is it cathartic for historians, but I think it is more interesting for audiences too. Sometimes we might think infusing our historical research or outputs with our own personal reflections, anecdotes, or stories might seem to be overstep, but I think now more than ever that’s what people are looking for. Public history is a great medium to make people feel seen in history, and adopting a personal approach is an effective way to do so.

JM: What advice do you have for students just starting the Practice-Based Dissertation?

KS: Trust the process! The prospect of creating something and putting it out into the world might seem daunting, but it’s a process and isn’t as scary as it seems. I’d say it’s important to have confidence and conviction in yourself – that what you’re creating deserves to be shared. Also, take advantage of the incredibly cool opportunity you have to do literally whatever you want about whatever topic you want. Be creative and have fun with it! On a more practical level, I’d recommend doing a lot of the public history readings for your report in the first term, as well as researching your actual historical content, so in the second term you can really focus on your output before doing your report.

JM: How can people find out more about your project?

KS: You can find the podcast on Spotify and follow the Instagram!

Featured Historian: Lorenzo Costaguta

In the latest in our series on historians here at Bristol, we caught up with Lorenzo Costaguta to talk race, class and socialism.

Lorenzo Costaguta is a Lecturer in U.S. History. He is a historian of race and class, with a focus on socialist movements in the United States and Europe. At Bristol, he teaches on radicalism in the United States, labour, race, capitalism, and the American empire.

Portrait picture of Lorenzo Costaguta, smiling, wearing glasses and a shirt in front of a brick wall

Hi Lorenzo, thanks for joining us! What’s the title of your new book? What’s it about?

The working title of the book is Regardless of Color: Race and the Origins of American Socialism.

It is a history of American socialist racial thinking in the last three decades of the nineteenth century. In the book, I argue against the idea that socialism “didn’t exist” or was irrelevant in the U.S. I contend that the American socialist movement was alive and well, and that one of its distinctive feature was its fixation on race.

In the late nineteenth century, American socialists—the vast majority of which were European immigrants—widely debated socialist organizing across racial and ethnic lines, with the objective of creating a genuinely egalitarian society. Although they were rarely successful in their attempts to go beyond their ethnic enclaves, they laid the foundations upon which a distinctively interethnic and multiracial movement was built in the twentieth century.


How did you become interested in the study of socialism and race in the United States?

I guess that what attracted me in the first place was the key question I discuss in my book, namely the long-standing historiographical riddle about why the most capitalist country in the world didn’t produce an equally powerful left-wing/labour social movement.

In the process of researching and writing my book, I found some of the answers I was looking for. Socialism in the U.S. did exist, but its history developed according to the features of the country. The multiethnic and multiracial composition of its working class set it on a path that differed from its European counterparts; capitalist and governmental repression suffocated its chances to grow.

The centrality of race as a crucial aspect of my project grew as the research progressed. In part, because I found myself reading extensively about immigrant United States, in a period in which the boundaries between race and ethnicity were extremely loose and imprecise, as scholars of whiteness have shown. In part, because I realized the extent to which race and class march alongside in shaping labour relations in the U.S.

Black and white portrait and photograph of Peter H Clark

What is the importance of the history of socialism in the U.S. today? And how important is it to study its history in relation with race?

It’s curious because when I started my Ph.D. in 2012, the first question would have been very difficult to answer. At the time, left-wing politics was almost non-existent in the U.S. I mean, it was there, but surely it didn’t feature in the national news.

Then in 2016 came the first Bernie Sanders primary campaign, and after that the election of Alexandria Ocasio-Cortez, Ilhan Omar, Cori Bush and many other progressive politicians, the boom of the Democratic Socialists of America, the second Bernie Sanders campaign, and so on.

We now live in a moment when democratic socialist politicians are a powerful group in the Democratic Party and have national relevance and visibility. I invite you to look at the racial and ethnic composition of this group: its diversity is a key ingredient of its success. Studying American socialism, and intersecting it with a focus on race, is crucial to understand how we got here.


What advice would you give to a student interested in socialism and race in the U.S.?

First of all, I would tell them: excellent choice!

Secondly, I would invite them to broaden their areas of interest and read both about the crucial importance of race as an organizing principle of the history of the United States and about the glorious, but also tragic, history of radicalism in the U.S. Socialism is one of the many strands of political activism that made the country into what it is today. From the movement to abolish slavery to suffragism to gay rights to environmental activism, American radicals really did shape the history of the country.


What’s the best advice you ever got about history?

Something that my PhD supervisor once told and that really stayed with me: that history writing is all about rewriting. The first version of your paper is just the beginning of the process. Only through extensive rewriting you will get to produce excellent scholarship.

This is something I repeat very (too!) often to my students, although I do not expect them to use five years to complete the revisions of their essays, which is the time it took me to revise my PhD into a book….


What’s the most interesting thing you’ve read in the last twelve months?

Evicted: Poverty and Profit in the American City by Matthew Desmond.

It is a Pulitzer Prize-winning sociological study that follows the story of eight families in Milwaukee as they try to make ends meet in a housing system designed to make profit out of them with complete disregard for their personal conditions. A devastating account of the reality of poverty, displacement and suffering of millions of Americans today. The book has links with many periods of the history of the U.S., but its real value is the light it sheds on modern-day U.S.—a rich country with mind-blowing levels of poverty. And the methodology of the study is so incredibly fascinating: Desmond lived for years with the eight families, sharing every aspect of their lives, before writing the book. The level of compassion and care with which the book is written made me really think about what we academics and students can and should do to contribute to our societies’ welfare.


If you had a time machine, where and when would you most want to go?

The amount of possibilities is something that makes my head spinning.

I will stick with my area of academic expertise, and I will say North America before the U.S. existed. A paradise lost. Imagine seeing the San Francisco Bay when the area was inhabited only by the indigenous people and perhaps a handful of Spanish colonists, knowing that one day it would become the global centre of economic production of the world, and one of its most humanized and polluted areas…


What’s your must-do Bristol experience?

I moved to Bristol fairly recently, so I am still very much in love with some classic spots of the city. I live close to the Downs, and when the weather was better I spent so much time there! And the Clifton bridge area is fantastic…


What are you working on next?

A couple of years ago I started working on a project on socialism and race in the Second International (1889-1914).

It is a straightforward expansion of my first book, whose aim is to explore how socialist movements across the world addressed racism at the turn of the twentieth century. The project identifies the socialist Second International as one of the first transnational spaces of confrontation on ideas of race for workers across the world. Founded in 1889 as a loose federation of socialist parties and trade unions, the International gathered workers from Europe, the U.S., parts of South America, Asia and Africa. While socialists rarely discussed race as a distinct issue, they debated closely aligned notions, such as colonialism, immigration and imperialism. By reconstructing these debates and decentring the history of the International through the inclusion of subaltern and colonial voices, my hope is to recast the period in which the Second International existed as a crucial moment when the racialisation of global working-class ideologies took place.

Sounds amazing! We look forward to seeing it… and thanks for joining us, Lorenzo!

Featured Historian: Vivian Kong

In the latest in our running series on historians in the department, we hear from Vivian Kong, Lecturer in Modern Chinese History. Her research to date has focused largely on interwar Hong Kong, especially on how the city’s global connections and multiethnic urban setting shaped the identity politics and social dynamics there.

Hi, Vivian, thanks so much for joining us! Can we start by asking: what are you working on? What’s it about?

I am now completing a book entitled Multiracial Britishness: Global Networks in Hong Kong, 1910-45, which is adapted from my PhD thesis. In the book, I use Hong Kong as a case study to highlight the diversity of ‘races’ that lived in the British Empire, and how such diversity enriched and complicated notions of Britishness. I use Chinese- and English- language archival records, autobiographical writings, and oral history to explore how residents of different races understood the multivalent concept of being British. The book explains when, why, and how one would engage with the civic sensibilities, material benefits, and legal entitlements of being British. It also examines how the global dispersal of cosmopolitan ideals and rising nationalism shaped the development of Britishness in the interwar years.

Image shows a cityscape at night in the background, lit up skyscrapers. Vivian stands in the foreground.

That’s really interesting. So, how did you become interested in the topic of Britishness?

When I first started my PhD, I thought I’d be writing a thesis on the British community in interwar Hong Kong. But the more I read, the more I realized what being British meant was a question of political, legal, and media debate and dispute, especially for a multiracial colony like Hong Kong.

That I moved to the UK for my PhD in September 2015 also mattered too. The Brexit debates and Britain’s increasing turn inwards during the past few years pushed me to see that the meaning of Britishness is still a question of debate and dispute. It also made me ponder at what points one form of Britishness might be more relevant than another. This all made me become more interested in the question of what being British means…

…the rest, as one might say, is history!

What is the importance of Multiracial Britishness today?

While we’d like to think Britishness is less racially defined than in the timeframe of my book (1910-45), questions such as what British values are and who gets to be British are still being asked and contested often enough in public discussion. Seeing how Britishness existed in multiple, varied forms in colonial Hong Kong, where whiteness was supposed to matter most, gives us insights in thinking about what it means to be British today.

The book, in showing how colonial subjects embraced, used, and remade conceptions of Britishness based on their needs and experiences, also reminds us that Britishness meant much more than whiteness. Being British was not only the monopoly of those who were white and/or from the British Isles. Complex multivalent interpretations of Britishness by colonial subjects are just as important to understanding and defining Britishness and imperial culture as those made by the ‘colonisers’. It also helps us appreciate not only the compatibility of Britishness with other existing identities, but also the issues many face as they engage with Britishness.

Multiracial Britishness also helps us understand more about Hong Kong today . Even as the ‘handover’ in 1997 marked the end of British colonial rule over the city, Britishness still matters to many Hong Kongers.

In summer 2020 the UK government announced a new pathway for Hong Kong residents who hold the British Nationality (Overseas) passports to settle in the UK with their dependents. My book reminds readers of the long history of engagement that Hong Kongers have made with Britishness, and also, sadly, how racism had at times obstructed such engagements. It offers us timely insight into the historic course of Hong Kong’s social development, and Britain’s commitment to Hong Kong and its citizens.

What advice would you give to a student interested in Hong Kong history

As someone who’s committed to study Hong Kong history from a global approach, I’d say read widely and make sure you read beyond Hong Kong history. Given the city’s global connections, there’s no way we can understand its development and social dynamics comprehensively without contextualizing the city within wider socio-political trends.

What’s the most interesting thing you’ve read in the last twelve months?

It’s very hard to decide on one! I have two: one book and one archival document.

There is the wonderful book, The Disappearance of Lydia Harvey, by Julia Laite. Very well-written and what an inspiring and innovative work!

The other is a school dinners menu I came across by chance in Kresen Kernow during my research trip to Cornwall this summer. It listed out the meals that the school pupils were getting in 1937. This has nothing to do with what I went to the archives for – but I love how it gives me some insight into the day-to-day life at the time, and also how the pupils of the Liskeard County School in 1937 had a very potatoes-heavy diet!

Image shows a list of foods from this school menu

What’s your must-do Bristol experience/activity?

Get fish-n-chips from Clifton Fish Bar and eat it on the lawn near the Clifton Observatory with the Suspension Bridge in view. That’s where you’d usually find me on Saturday afternoons in summer.

What are you working on next?

A book about a Eurasian woman, and the web of family relationships she had in Britain, Hong Kong, China, and Singapore… Born in late 19th century Hong Kong, the protagonist had quite an eventful life. She moved to Cornwall at the age of 10. She was an award-winning artist and photographer in her early 20s, a V.A.D nurse during WW1, and a hotel and boarding house owner in interwar London. In 1937, under suspicion of brothel keeping, she and her husband were deported to Hong Kong, from where they moved to Singapore to join her in-laws.

The book will follow her and her family’s life journeys, and examine their connections with colonial policing in Hong Kong, Christianity in Republican China, overseas Chinese diasporas, and London’s interwar economy. It will explore racial politics, womanhood, and the meaning of respectability in the twentieth century.

We can’t wait! Thanks for taking the time to talk to us, Vivian.

Disability History Month Snapshots: Fitting and Misfitting

In the third of our posts for Disability History Month, Lena Ferriday writes about the novelist Dinah Craik.

In 1881, at the age of fifty-five and six years before her death, novelist Dinah Craik took a sixteen-day excursion around the Cornish coastline. Craik’s reflections on this experience, recorded in a published travel journal, bring to attention a range of narratives regarding differently abled bodies which converged at the nineteenth-century coast, which became seen as a space which emphasised a linear pathway from illness to health, which differently abled bodies did not conform to. This post highlights the way in which discourses of different abilities have historically relied on the fit, or misfit, between body and environment.

Image shows a dark print of the cliffs and sea.

Dinah Maria Mulock Craik, ‘An Unsentimental Journey Through Cornwall’ (London: Macmillan and Co, 1884) p. 15.

Nineteenth-century medical discourse attested to the coast as a therapeutic space. Physicians often prescribed visits to Cornwall for a ‘change of air’, expecting that the cold, strong, fresh winds would arrest the patients’ bodies from the state of ‘melancholy’ with which they had been diagnosed. For Craik, indeed, the Cornish coast was a corporeally nourishing space. ‘The air so fresh and pure, yet soft and balmy’, she recalled ‘it felt to tender lungs like the difference between milk and cream. To breathe became a pleasure instead of a pain.’ Concurrently, however, discourses of adventure culture considered coastal landscapes an ideal place for testing the corporeal capabilities of bodies, the difficulty of navigating them integral to their appeal.

In neither discourse, however, did the differently abled aging body cohere with the landscape. It could not be ‘cured’ by the coastal air, nor its capabilities attested to by navigation across the the cliffs. Indeed, Craik wrote extensively of the continual reminders of her body’s limitations posed by the landscape of the coast, which caused her discomfort and pain. For her younger travelling companions, ‘the picturesque or romantic always ranked second to the fun of a scramble’ as the ‘descent to this marine paradise […] seemed difficult enough to charm’ them. In comparison Craik was incapable to move across the cliffs, and even as she sat watching the others ‘scrambling into the most inaccessible places’ she was physically ‘uncomfortable’, negotiating her feet with ‘the long grass to prevent slipping down the slope’.

Whilst Craik was not socially marginalised by way of her body’s abilities, her reflections highlight the extent to which discourses of medicine, health and recreation constructed the coast as a space only physically able or healing bodies could cohere with, and from which the differently abled were excluded.